Working On New Songs & Covers (Plus Free Demo Track)

So sorry to everyone reading this, I realize haven’t posted in weeks. I’m working on some new material for my upcoming EP, “Scheme Of Consciousness”, and I’ve done vocals for three songs so far. I’m also working on a cover song by a fave Japanese pop-rock band. Shuffling all these with being a full-time dad and husband can seem like a daunting task, but I’m not complaining. I get to be with my family everyday and do what I like while running our freelancing business.

Confession: I didn’t make the RPM Challenge 2015 deadline, which is the end of February. But I did finish an ambient/glitch/experimental EP for my side project Canfreed, with the album cover photo shot by the lovely Ayla Marie Martin from the UK-by-way-of-the-US.

Both the new single by CERUMENTRIC, “Hypocrites” and the new EP by Canfreed, “Metropolis Of The Lost” will be out on Spotify, iTunes, Bandcamp, Deezer, and Soundcloud soon. Keep posted. 🙂

For the meantime, here’s the demo version of “Hypocrites” for free download: https://www.sendspace.com/file/kq2b5m 

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If you’re interested in knowing more about what I do in between the music, I’m on Facebook: http://facebook.com/cerumentric

I’m also on Twitter, but you probably know that already: http://twitter.com/CERUMENTRIC

I’d be stoked to hear greets from you. It’ll make my day. 🙂

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Not So Ambient, Dying In Obscurity, and Future Nerds

It’s turning out that what I intended as an ambient music side project is becoming less ambient and more like a slasher B-movie music score. I signed up for the RPM Challenge of coming up with ten tracks before February is over and I’m figuratively running around like a headless chicken.

That’s what I get for being a recovering procrastinator.

I’m currently working on loops from really obscure Latin music and Filipino funk/disco records for this side project called Canfreed. It will be the second album that I’ll do for this alternate moniker, and it’s a good break from the high expectations that has turned into CERUMENTRIC.

The idea is to mangle them beyond recognition that only a pedant familiar with the 1970’s Filipino and Latin music scenes, with an extremely patient ear, and a lot of time in their hands, will recognize which original recordings they came from.

I’ve made sure that the samples are from bands/artists that only made one or two recordings from that era, and whose members are either retired, doing other things besides music, or dead.

In a way, it is my tribute to them, as it is also a personal reminder that it is highly possible that I’ll go their way when I pass away — one of those unsung dreamers that only pops up in nostalgic conversations that can hardly recall at least one song.

It will be discovered by the nerds, outcasts, and the other outsiders of the future, and hopefully, they will build up on my work and make my dreams theirs, and reach millions where I have failed.